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Rachel Ruysch

Dutch 1664-1750

Gemälde ID::  42718

Blüht in einer Vase
MK169 1698 Cloth 5805x44.5cm
das Tuch 5805x44.5cm von MK169 1698
Dutch 1664-1750

   
 

 

 
   
      

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Rachel Ruysch

Dutch 1664-1750

Gemälde ID::  43220
Flowers in a Vase
mk170 circa 1685 Oil on canvas 57x43.5cm
Dutch 1664-1750

   
 

 

 
   
      

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Vincent Van Gogh

Dutch Post-Impressionist Painter, 1853-1890

Gemälde ID::  44990
Flowers in a vase
mk183 Oil on canvas 40x31.1cm
Dutch Post-Impressionist Painter, 1853-1890

   
 

 

 
   
      

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Maurice Prendergast

Canadian-born American Impressionist Painter, 1858-1924

Gemälde ID::  72553
Flowers in a Vase
Date between 1908(1908) and 1915(1915) Medium Oil on canvas Dimensions 59.1 X 64 cm (23.27 X 25.2 in) cyf
Canadian-born American Impressionist Painter, 1858-1924

   
 

 

 
   
      


Gemälde ID::  84928
Flowers in a vase
1654(1654) Medium Oil on canvas cyf
1609-60

   
 

 

 
   
      


Gemälde ID::  85064
Flowers in a vase
1654(1654) Medium Oil on canvas cyf
1609-60

   
 

 

 
   
      

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Hans Bollongier

(1600-idem, 1645) was a Dutch Golden Age still life flower painter. Bollongier was born in Haarlem. According to the RKD little is known of his early life. He became a member of the Haarlem Guild of St. Luke in 1623, and in 1675 his younger brother Horatio was named as his beneficiary. He was a specialist in bouquets of blooms. Paintings attributed to him that are not flower- or fruit still lifes are likely the work of his brother Horatio.He was an important influence on the later flower painters known as the monogrammist JF and Anthony Claesz II. He painted during a period of great productivity for Haarlem painters, during the decades after Karel van Mander published his Schilderboeck there. In Karel van Mander's book, there were a set of rules to follow to create good paintings and good drawings. Bollongier developed his own style and still observed all of these rules. His paintings were very popular, but his work was not regarded as such by contemporary Haarlem painters. As a genre, still life painting was considered inferior to historical allegories. His work today is considered part of the proof that Tulip Mania took place, although there is reason to believe that this is also just part of early Haarlem tourist propaganda. Even as early as the 17th century, gentry from Amsterdam, Leiden, and places farther away enjoyed visiting the tulip fields of Haarlem in the Spring, and paintings of tulips were as popular as the bulbs.

Gemälde ID::  85182
Flowers in a Vase
Date c. 1660(1660) Medium Oil on oak panel Dimensions Height: 33 cm (13 in). Width: 26 cm (10.2 in). cjr
(1600-idem, 1645) was a Dutch Golden Age still life flower painter. Bollongier was born in Haarlem. According to the RKD little is known of his early life. He became a member of the Haarlem Guild of St. Luke in 1623, and in 1675 his younger brother Horatio was named as his beneficiary. He was a specialist in bouquets of blooms. Paintings attributed to him that are not flower- or fruit still lifes are likely the work of his brother Horatio.He was an important influence on the later flower painters known as the monogrammist JF and Anthony Claesz II. He painted during a period of great productivity for Haarlem painters, during the decades after Karel van Mander published his Schilderboeck there. In Karel van Mander's book, there were a set of rules to follow to create good paintings and good drawings. Bollongier developed his own style and still observed all of these rules. His paintings were very popular, but his work was not regarded as such by contemporary Haarlem painters. As a genre, still life painting was considered inferior to historical allegories. His work today is considered part of the proof that Tulip Mania took place, although there is reason to believe that this is also just part of early Haarlem tourist propaganda. Even as early as the 17th century, gentry from Amsterdam, Leiden, and places farther away enjoyed visiting the tulip fields of Haarlem in the Spring, and paintings of tulips were as popular as the bulbs.

   
 

 

 
   
      

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Hans Bollongier

(1600-idem, 1645) was a Dutch Golden Age still life flower painter. Bollongier was born in Haarlem. According to the RKD little is known of his early life. He became a member of the Haarlem Guild of St. Luke in 1623, and in 1675 his younger brother Horatio was named as his beneficiary. He was a specialist in bouquets of blooms. Paintings attributed to him that are not flower- or fruit still lifes are likely the work of his brother Horatio.He was an important influence on the later flower painters known as the monogrammist JF and Anthony Claesz II. He painted during a period of great productivity for Haarlem painters, during the decades after Karel van Mander published his Schilderboeck there. In Karel van Mander's book, there were a set of rules to follow to create good paintings and good drawings. Bollongier developed his own style and still observed all of these rules. His paintings were very popular, but his work was not regarded as such by contemporary Haarlem painters. As a genre, still life painting was considered inferior to historical allegories. His work today is considered part of the proof that Tulip Mania took place, although there is reason to believe that this is also just part of early Haarlem tourist propaganda. Even as early as the 17th century, gentry from Amsterdam, Leiden, and places farther away enjoyed visiting the tulip fields of Haarlem in the Spring, and paintings of tulips were as popular as the bulbs.

Gemälde ID::  89493
Flowers in a Vase
1660(1660) Medium oil on oak panel cyf
(1600-idem, 1645) was a Dutch Golden Age still life flower painter. Bollongier was born in Haarlem. According to the RKD little is known of his early life. He became a member of the Haarlem Guild of St. Luke in 1623, and in 1675 his younger brother Horatio was named as his beneficiary. He was a specialist in bouquets of blooms. Paintings attributed to him that are not flower- or fruit still lifes are likely the work of his brother Horatio.He was an important influence on the later flower painters known as the monogrammist JF and Anthony Claesz II. He painted during a period of great productivity for Haarlem painters, during the decades after Karel van Mander published his Schilderboeck there. In Karel van Mander's book, there were a set of rules to follow to create good paintings and good drawings. Bollongier developed his own style and still observed all of these rules. His paintings were very popular, but his work was not regarded as such by contemporary Haarlem painters. As a genre, still life painting was considered inferior to historical allegories. His work today is considered part of the proof that Tulip Mania took place, although there is reason to believe that this is also just part of early Haarlem tourist propaganda. Even as early as the 17th century, gentry from Amsterdam, Leiden, and places farther away enjoyed visiting the tulip fields of Haarlem in the Spring, and paintings of tulips were as popular as the bulbs.

   
 

 

 
   
      

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Edward Beyer

painted The Peaks of Otter and the Town of Liberty in 1855

Gemälde ID::  92005
Flowers in a vase
1823(1823) Medium oil on canvas Dimensions 81 X 66 cm (31.9 X 26 in) cyf
painted The Peaks of Otter and the Town of Liberty in 1855

   
 

 

 
   
      

Edward Beyer
painted The Peaks of Otter and the Town of Liberty in 1855
Flowers in a vase

        
 
   
 

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